Resized copy of clients existing 17th Century mantelpiece.

Material: White Oak - Lacquer Finish

Catalogue No. CEORF3

Black Walnut

Limited Edition of 169

Catalogue No. CEORF16

Curved book case to fit under clients stairs and decorative internal window panel with solid walnut trim.

Material: White Oak, Black Walnut and Art Glass

Catalogue No. CEORF34

Production of parts for curved elements of decorative greenhouse window. From client design.

Material: Painted Sapele

Catalogue No. CEORF11

Hybrid sculpture and wall art. This piece looks to elevate the humble ring-pull into a beautiful wooden object, allowing the grain of the Ash to interact with the curves and raising the shape to create deep shadows on the background.

Material: Solid Ash wood ring pull, finished with Danish Oil, limed oak veneered MDF backer and stained and oiled solid oak frame.

Catalogue No. CEORF36

Carving based on the cover of the King Crimson album “In the court of the Crimson King”, taken from a painting by Barry Godber.

Hard maple main carving with Sapele border.

440mm x 440mm x 55mm

Catalogue No. CEORF39

Exact size replica of Abraham Lincoln’s Death mask from 3D scanned data downloaded from the Smithsonian Museum.

Material: Oak butcher block - Danish oil finish

Catalogue No. CEORF1

Artists personal project.

Black Walnut

Limited Edition of 169

Catalogue No. CEORF8

This sculpture is a meditation on the absurdity of how art is valued. Should the worth of something come from the idea, the originality, the technical skill, marketing, notoriety or the cost of its materials. This machine and hand-carve cherry wood sack is hollow and contains £1000 pound coins that cannot be accessed without breaking it, so is it worth more than a grand?

Solid Cherry Butcher Block, Rope and Wax

360mm x 410mm x 180mm

Catalogue No. CEORF40

Internal window based on an existing antique cherub carving.

Material: White Oak - Stained with Lacquer Finish

Catalogue No. CEORF9

Table with stylised 3D relief map of the Grand Canyon carved into it and filled with epoxy resin.

Catalogue No. CEORF55

Solid Black Walnut

Limited Edition of 65

Catalogue No. CEORF2B

Vectric Sign: White Oak - Lacquer Finish

St. Pierre Sign: Walnut - Lacquer Finish

Catalogue No. CEORF4 & CEORF72

This piece celebrates the absurdity of a Marxist icon becoming a ubiquitous logo for branding consumer goods. A revolutionary way for the bourgeoisie to serve their artisan cheese.

Material: Walnut inlay into maple butcher block - Mineral Oil Finish

Limited Edition of 39

Catalogue No. CEORF21

Bookends based on an Inigo Jones design for an Italianate stone garden feature.

Material: White Oak - Lacquer Finish

Catalogue No. CEORF10

Eight piece circle with original art nouveau inlay to surround floor opening.

Black walnut with white oak inlay.

Catalogue No. CEORF38

Guitar Amplifier for my own use.

Beech and Oak Butcher Block.

Catalogue No. CEORF05

Various components machined for client kitchen.

Images from installation - awaiting final photos after c-virus lockdown.

Oak and Walnut Mix.

Catalogue Nos. CEORF18, 19, 48, 53, 54, 56

Cumaru Wood (v. heavy) bowl with vortex design carved into it and rounded underside.

Catalogue No. CEORF80

Black Walnut paper weight, hollow with lead shot inside for weight. Make a satisfying rattling noise if shaken.

Catalogue No. CEORF52

Solid maple wood letter openers. Inspired by common design for daggers used from the 1300’s onward. Name comes from the obvious phallic nature of its design, for more history click here.

Catalogue No. CEORF68

Should the purpose of art be to subvert? Probably not, especially if its only based on a bad pun. Green oil painted poplar wood half hull model of a cold-war era soviet submarine inlaid into veneered MDF with solid iroko frame and corian nameplaque.

Catalogue No. CEORF64

Sculpture designed to be wall mounted. This piece evokes the flocking behaviour of Starlings, echoing the beautiful undulating shape this wonder of nature creates in the sky.

Material: Solid Black Walnut finished with Danish Oil.

Catalogue No. CEORF37

I’m fascinated that to currently make physics “work” requires the existence of Dark Matter and Dark Energy to explain whats happening. Read more here if your not familiar with this theory. The best estimate currently is everything in the observable universe - all the stars, planets etc. make up only 5% of the mass the rest is made of Dark Energy (68%) and Dark Matter (27%). With this painting I wanted to show how little what we can see, represented by the grey area and contrast this with the seething red, oranges and yellows to show the energy and the cool blue “tunnel” for the matter.

Oil on canvas with ebonised poplar frame.

Catalogue No. CEORF77

Iroko wood horses head inspired by pre-Roman clay model on exhibit at the Ashmolean Museum in Oxford. On black walnut base.

Catalogue No. CEORF65

Valchromat wall art.

Catalogue No. CEORF69

Frame to display clients vinyl picture disks.

Material: White Oak - Lacquer Finish

Catalogue No. CEORF12